top 500 songs of the 70s
Not surprisingly, the song became the highlight of Genesis’ live show and stands as a watershed moment in prog-rock history. The Doobie Brothers had a great run of success prior to the release of 1978′s “Minute By Minute.” But it wasn’t until that album, led by the single “What a Fool Believes” and Michael McDonald firmly positioned as the face of The Doobies, that things exploded. Penned for ‘Darkness On The Edge Of Town’ by Springsteen, the Patti Smith Group re-tooled it to give it a more poetic nuance. The pioneer of the synthesiser was wildly ahead of his time when he composed this sleek and pulsating throbber. 179. The Boss was going for the “greatest rock’n’roll record ever” and who’s to say he didn’t pull it off? google_ad_format = "728x90_as"; This is a list of Billboard magazine's Top Hot 100 songs of the year 1970. Simple, pretty and aimed like a laser at Lindsey Buckingham’s guilty conscience, ‘Dreams’ was written by Stevie Nicks as everyone’s marriages and relationships fell to rack and ruin around the recording of AOR phenomenon ‘Rumours’. But, perhaps, the most jaw-dropping moment comes when the documentary dissects Marvin Gaye’s single “What’s Going On.” Gaye’s work at that time was next level and his style of recording a song is something Berry Gordy called “Marvin on top of Marvin on top of Marvin.” What he was referring to was the song’s vocal layering, which was Gaye’s voice laid out in different ways throughout the track. Springsteen later described it as “my big invitation to my audience”, and it remains one of The Boss’ most beloved moments, a staple in his live set to this day. Its appeal was obvious. by Patricia Romanowski, Holly George-Warren and Jon Pareles (New York: Fireside, 1995), and The Billboard Book of Number One Hits by Fred Bronson (New York: Billboard … But denying the fact that “Dancing Queen” is a perfect pop record seems like a foolish hill to die on. Bobby Womack – “Across 110th Street”. The 70s didn’t do things by halves; relive the magic with the decade’s 100 key tracks. Brilliant. Queen – “We Will Rock You/We Are The Champions”. Compared to what he would go on to do, “I Wanna Be Your Lover” is a rather simple funk song tailor made for disco dance floors. Player - Baby Come Back. Not by a long shot. R&B stars like Stevie Wonder and Marvin Gaye reached creative peaks. But “The Low Spark of High-Heeled Boys” stands as one of the most elaborate and thrilling collaborations from Steve Winwood and Jim Capaldi. The Clash’s finest moment is a hybrid of reggae and rock that has yet to matched. A beautiful lyric from Bernie Taupin about navigating love on the road with future wife Maxine Feibelman was met by an instrumental that caught John at his singer/songwriter peak, creating a soft rock gem that would resonate with generations to come. google_ad_type = "text_image"; Did you install a browser extension (such as Realplayer/Realdownloader) that helps you download YouTube videos or other content? In which we learned Iggy Pop was “a street-walking cheetah with a heart full of napalm“. The Beatles nudge into the ’70s by the skin of their career, and we find McCartney at his most McCartneyish for the band’s swansong. And very possibly the most uplifting song about heroin addiction ever, if you’re into that kind of thing (which clearly is not a good idea). As the story goes, Funkadelic leader George Clinton told Hazel to play like he’d just learned his mother had died only to find out it wasn’t true. © 2020 NME is a member of the media division of BandLab Technologies. 120. With a knowing nod to JG Ballard, Numan retained his high art credentials to create an trailblazing pop single which sounded like the future. The chiming first track on Dylan’s marriage-dissecting ‘Blood On The Tracks’ is a surreal, jump-cutting tale of a relationship from soup to nuts. It’s one hell of a way to begin such a tour de force. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Advance Local. 169. Miles Davis is definitely not an artist you identify with the 1970s. Don’t know if you’re aware of this, but this was John Peel’s favourite record. But ‘Sex Machine’ positively throbs and thrusts, keeping you in the moment and in the mood, building to an eventual happy finish. A peerless piece of disco drama that almost sent a career into parody – but hey, they sure got rich. But that suggests we may have never gotten “Imagine,” the John Lennon solo song that felt like it changed the world and remains one of the most beloved pop hits of all time. Disco was alive. The man released more than 70 studio and live albums. This company sells your internet traffic to other people, meaning that other people can use your IP address and can break some of the above rules, causing you to be banned from this site. But “Dreams” is a Stevie Nicks’ masterpiece and a song that will help define her and the band forever. Imbued with a cartoonish drama, Russell and Ron’s compulsive stomp demands your attention like the musical equivalent of a quickly unraveling disaster film. If so, you'll need to disable it when using this site, as it spams the websites you visit with fake requests. Why is “Rocket Man" Elton John’s definitive song? Prince’s first real hit, ‘I Wanna Be Your Lover’ also showed the first flourishes of his musical trademarks that would define his megastardom in the decade which followed. From somewhere in space landed David Bowie and Marc Bolan – two otherworldly angels at the forefront of glam rock. However brassy and unreal she can be, she’s never less than pure-hearted. A prime slice of arch, amphetamine-driven art rock from Wire. 198. First they fire off taut licks at each other, later they solo all over the joint, and ‘Marquee Moon’ never gets boring. Its drive and thrash build to a delirious – some think epileptic – height before rattling away to silence. Elvis Costello & the Attractions – “Radio Radio”. Gilmour’s work is a big part of why “Comfortably Numb” is a masterpiece. A supergroup on the (ahem) sly, this, as Stone ditched the Family and drafted in soul legends Bobby Womack and Billy Preston on guitar and Rhodes piano respectively. It wasn’t even as big as Tom Petty’s debut single “Breakdown.” However, the former stands as one of Petty’s most iconic tracks, probably because it’s been on classic-rock radio for decades. Considered by many to be Bowie’s greatest single, “Life on Mars?” proves Bowie was on another level. The Staple Singers – “I’ll Take You There”, 178. The Rolling Stones – “Beast of Burden”, 173. Above and beyond any suspect lyrical content, it’s all about a kinetic groove, dirty sax and an unfeasibly laid back Keith Richards riff. Chrissie Hynde’s ultimate calling card, as she sidles up, leather jacket on, lips in a snarl – possibly with a tambourine in her hand to kill the mood, but still super cool. Back when heavy metal could make the Top 5 in the UK, Sabbath’s ‘Paranoid’ cemented itself in the national psyche and became an anthem Ozzy Osbourne’s never quite been able to shake off. With lyrics tense with a Springsteen-ish drama and multiple hooks – the legendary riff, the fist-punching chorus, the twin guitar solo from Brian Robertson and Scott Gorham to the chorus – this track is rife with the smell of summer lawns and the memories of beach parties. Free from The Impressions, Mayfield’s solo debut ‘Curtis’ featured many shining moments – but ‘Move On Up’ was perhaps the finest. Their ever-evolving sound meshed with a Floydian level of the surreal in the lyrics to create this one-note stomper where Colin Newman twisted his voice into unlikeable shapes to create a sonic earworm that you’d never forget. The Sex Pistols’ first single was bundled out within weeks of their signing by an EMI keen to strike while the phlegm was flying. Oh, you knew that too. google_ad_channel =""; 78. Undisputedly one of the greatest and most iconic jam rock songs of all time with one hell of a backstory. In actual fact, ‘Tumbling Dice’ had been kicking around for years before its ‘Exile’ completion, only worked into shape once Mick Taylor had been booted off lead. The end result is a level of vulnerability rarely achieved by the band. RadioMaxMusic Top 500 Hits of The '70s (Nov 2004) RANK. A hell of a lot more fun than a worthy protest folk song, frankly. Donna Summer’s second collaboration with Giorgio Moroder – after the interminable disco lustfest ‘Love To Love You Baby’ in 1975 – is a record with the sort of insignificance that cannot be understated. The fact that James Brown has multiple songs on this list is testament to his longevity, or, more so, his prolific nature.


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