training day script
Does the end justify the means? Sup, brother. I mean, I’m sure nothing crazy will happen today, but even so, it’s nice to come back to a stable home. Wow, even more “that guy” actors. This country hasn’t cracked the code of law enforcement yet, and it’s up against an astoundingly formidable enemy in the form of organized crime and gangs. We truly appreciate your support. Incessant writing. I kind of think of her as the only sane person in the movie because if you look at it, everybody else has the spin going on and their own personal issues and whatever. ETHAN tucks and rolls out of the car and begins BEATING the CRAP out of two HOMELESS GUYS who are assaulting TEENAGE GIRL SAMANTHA BECKER. Now. I had a monkey come out of my ass in Bruce Almighty. Ugh. There was more of an action ending that had to be added on so you could sell the movie to the theater owners, because they know what sells tickets. Uh, of course. What’s it like to see Denzel give that performance and win an award? Close. Now, 90% of police work is fucking with stoned teenagers and we’re way behind quota. See you in comments to discuss. I lived there and LAPD operated in a certain manner at that time period. After a successful script doctoring career and after writing the script that gave Denzel Washington his Oscar for Training Day, Ayer took on another sort of corrupt cop story, Dark Blue. Just very simply with Ethan Hawke’s character, Jake, just dumping the money on the bed and walking away. I saw enough DARE commercials to know I’m exactly one joint away from selling my body to homeless men for used needles. How did your script end? Then, I knew people who were on the streets. You’re still script-doctoring? BZZZZ! Buy me some crack from that dealer, and don’t lose your cool. No. And that's uh… William Fitchner? I HAVE SERIOUS DOUBTS THIS IS STANDARD PROCEDURE FOR POLICEWORK. Logic is for straight cops, bro. | Terms of Service | Privacy Policy | A Red Ampersand Company. Even Alonzo Harris’ on-screen introduction, meeting up with Hoyt in a diner, is a tremendous test to overcome. I’m just the Mexican gangster guy. Only logged-in members can comment. On his first day on the job as a narcotics officer, a rookie cop works with a rogue detective who isn't what he appears. Seriously, this is not the behavior of a sane human being, even if you are some hardcore street badass-. Shit, I don’t, fuck. Denzel Washington plays L.A.P.D. And he had told me that Kurt was interested in this project. Set against the backdrop of the 1992 L.A. riots, Dark Blue tells the story of Eldon Perry (Kurt Russell). TRAINING DAY by David Ayer REVISED DRAFT August 18, 1999 FADE IN: INT. I guess. Here. Have some life experience. This script published under Creative Commons BY-NC-SA 3.0 License Fuck this. The two CHASE each other through the HOUSE and end up SHATNER FIGHTING. I was like nobody and really didn’t have much experience rewriting. With my dying breath… I shall smooth once more…. Smoking drugs, drinking and driving, shooting up neighborhoods and freely dealing with gang members is all hardcore and awesome, but I draw the line at floor money. Does this thing actually have an ejector seat? What scenes got cut? Write your screenplay and focus on the story with many helpful features. JAKE'S HOUSE - BEDROOM - CLOSE ON ALARM CLOCK - 1 PREDAWN (4:59 AM) In a Santa Clarita housing tract. I guess it was originally about the 1965 riots and then he had done some work to update it and converge all this to the ’92 riots. Serving a high-risk warrant and all that. A rookie cop spends his first day as a Los Angeles narcotics officer with a rogue detective who isn't what he appears to be. Alright, get your suburban asses back to Myspace. From a girl! To the Denzel-Mobile! But why? Okay, you got my dirty cash. Perhaps, by inexcusable coincidence, it will come in handy later. But don’t worry, I can sort it all out. detective Alonzo Harris, a veteran narcotics officer whose methods of enforcing the law are questionable, if not corrupt. I actually wrote him as a much larger, much more involved, much more politically rounded character. Well, unless you can pull a cool million out of that incredibly smooth ass of yours by midnight tonight, consider yourself duly fucked. I’ve definitely been writing in the law enforcement zone for awhile now. Fuck it. Wait! They’ve changed the makeup of their patrol force. He had the basic story there, but it felt very novelistic. “Yeah, it’s good.” Just learn the craft. Cops are about law and authority, and when the latter overtakes the former, you get great characters like this one. HOLY SHIT. It was outstanding. (smooths smoother than a luge ramp made out of Hubble Telescope mirrors). The cool thing about it is you get to go in, you get to save the day, everyone’s happy and you walk away before the real problems start. I wrote that script on spec out of frustration. I read a lot of stories. That was a shocker. Can I have an autograph!? I mean, look at the giant cell phones. HOLY SHIT I SHOULD REALLY JUST STOP DRIVING AND GET OUT OF THE CAR AND SHOOT ETHAN BUT INSTEAD I’M GOING TO DRIVE AROUND IN CIRCLES LIKE A FUCKING SPAZ AAAAAAHHHHHH! King Kong ain’t got shit on me. Jesus, Denzel. How do you get an agent then? Sure thing, big guy. Now there’s all these fuckers like you being in-betweeny about it. Through careful application of FIGHTING like WILLIAM SHATNER with PALSEY, he WINS. Training Day Script Resources: Training Day Script PDF at Script … I don’t know if I can say what project. The riots are a backdrop. Aw shit, I’m such a big fan! This was pre-bean bag and obviously two tazers didn’t work on him. I consolidated characters. FOR EDUCATIONAL PURPOSES ONLY. Synopsis. I know some Mexican gangsters who are pretty chill. WIDER ANGLE Eyes glisten in the clock's shine, patiently watching the time. Turns out there’s plenty of work for “Oh, that guy” actors like me. You’re not smoothing your way out of this one, Denz. Apart from having acquired a taste in Primus music, yeah, I’m good. DENZEL and the TEAM kick the DOOR in and hold SCOTT GLENN at GUNPOINT. I was lucky to get the job and glad it worked out. Are you the corrupt cop guy now? People are screaming down your neck and it gets pretty intense. Screenwriter David Ayer turned his teen experiences living with a cousin in South Central Los Angeles and research about the L.A. Police Department into a $1 million script for Training Day. Talking to him, though, reveals a man of ambition and intellect. I really hope you two aren’t just a weed dream. Well, me and the new boy here are heading to Scott Glenn’s house. DENZEL meets his SQUADRON of CROOKED COPS, comprised of a bunch of UNCREDITED CAMEOS from “THAT GUY” ACTORS you ALMOST RECOGNIZE. Why wasn’t Holland (Ving Rhames) a bigger character? Anyone, including Officer Hoyt, who refuses complete submission to Harris’ personal plight of anarchy, will be sliding down a slippery slope of self-serving “justice.”, ALONZO: You hear that, homey? Are you ignoring a direct order, bird boy? So, it was a little heartbreaking to see some of his scenes go, but the focus of the story is Kurt Russell. No amount of wedgies will shake my conviction. How about Dre? Read Script Training Day (2001) Written byDavid Ayer. David Ayer (born January 18, 1968) is an American film director, producer, and screenwriter. The nuts and bolts of police corruption, the nuts and bolts of secret policing. I was happy to help him get there. But what the fuck man? Kind of by osmosis, but people running around breaking stuff is people running around breaking stuff. Keys to the Screenwriting Craft: Think Concepts, The Path of Least Resistance to Get Representation in Hollywood, Writing a Logline for a Character Driven Drama. Whining, ETHAN ceases attempting to fashion a CHINA VASE into a STEAMROLLER PIPE. Pretty good. More importantly, who’s your higher up? How do you get it to people? WIDER ANGLE: Eyes glisten in the clock's shine, patiently watching the time. Let a brother go. I’m talking about the ‘80s and early ‘90s. Jim Jacks, the other producer, is a good friend of Kurt Russell’s and was kind of like, “Hey, buddy, do the movie.” So, I never had any other actor in mind other than Kurt for the part. The material sells itself. Do you feel the LAPD is fair game? Did you write with Kurt Russell in mind? Y’all should tag along. And Alphaville [production company for Dark Blue], I guess they weren’t thinking very well at the time, they actually hired me. I sat on the Hollywood Hills and watched the city burn. I’ve met some heartbreakingly dedicated cops. I have zero crack on me, and may god strike me down if I’m-, (vomits a pile of crack vials onto the ground). GREAT MOVIE. It's dark. What’s the most exciting thing that ever happened to you on the beat? It’ll make us all feel more comfortable. WHITE BOY, HAGAR AIN’T THE ONLY HORRIBLE MOTHERFUCKER IN THIS HERE SLOP SHOP. I try and stay out of their jails as much as possible, but aside from that, the bottom line is this is a movie. These are all fascinating questions that we should completely ignore in favor of more witty street talk.

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